Share article A Sadistic Salvador Dali in Alessandro Bavari: Bavari is what happens when Sodom and Gomorrah mixes with a surrealist modern Europe. He is a ...
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Bavari is what
happens when Sodom and Gomorrah mixes with a surrealist modern Europe. He is a classically-trained painter who habitually photographs images from museums and on the street in Europe, intertwining
them with concepts straight from ancient Biblical stories into grotesque, beautiful, and absurd computer-generated art.
A glimpse into Alessandro Bavari’s gallery conjures
esoterically detailed Dali-esque nightmares tainted with Biblical perversities cited, (on his website), from specific verses.
His dismally manipulated photographs are influenced by the darker Biblical stories, architechture, Michelangelo, and his guitar, (which he plays in the classical style). He twists the style of
Salvador Dali into his own creation in the “Tryptichon: Deconstruction of a Hero
and Reconstruction of the Man” series, as well as images from Sodom & Gomorrah like “FOUR GREEN LIZARDS GOING TO SUCK MILK FROM A YOUNG MOTHER“.
“Headcleaner“,
a scary short film set to industrial music “conceived and realized” by Alessandro Bavari, reminds one of a Tool or Nine Inch Nails video coupled with
Dali’s surrealism.
A disembodied brain attatched to a spine becomes a heart and then an eeirie pitch-dark creature riding upon a mutant baby doll with razor-like arms digging into the earth. Amidst shrieks and a
strange baby’s cry, another hideous creature rises from the ground to scream in your face. Cut to a man panting and sweating, sitting up in bed with some frightening figure behind him drawing
circles in the top of his head with an instrument, a feverishly-pitched noise in the background. It is rather disturbing but done very well!!
Those who have actually met Bavari, such as Paul Murnaghan, a guest on a radio program transcribed on Bavari’s website, will tell you he is not as mad as one would think. The quiet type,
actually. His models are freakish – almost frightening – even in real life, and he extends his Biblical influence as far as the size of his photographs. Twelve is a Biblical number, he prefers
using 18 x 12″.
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